For some, the sound levels at the movies can be unbearably loud. Our guest, opera singer Christopher Gillett, thinks cinemas should turn down the volume. Do you?
I may be of a certain age, nearly 60, but I’m no stranger to loud music. I’m a professional opera singer. Singing loudly is what I do for a living.
I’ve spent my career standing in front of massed choirs and full-sized symphony orchestras playing hell-for-leather through the very loudest works of Wagner, Beethoven and Britten. I really do know what loudness means and how it works in the field of entertainment.
Not so Lucky
At least I thought I did until I went to the Odeon cinema in Cardiff last week to see the film Logan Lucky.
The film isn’t to blame. It’s a good movie. And in the context of the mass of superhero films that make up the larger part of the cinemagoer’s choice of films these days, short on the crashes, bangs, booms and thuds that are the regular diet of the modern cinematic sound engineer.
The soundtrack isn’t symphonic. There are no wailing choirs or thumping timpani. No, the grievance I’m airing is that the volume level of the whole experience, especially the trailers and adverts, was set well beyond a Spinal Tap 11, all the way up to 19 or 20.
The cinema, a 400-seater or more, was empty save for five punters, yet the volume was cranked up as though we were sitting in a packed Wembley Stadium. It was physically painful – nauseating, even.
I was about to complain, but when the main feature began, the volume was lowered, although once or twice, as a song kicked in, it became unbearably loud again.
When characters whispered, they may as well have been yelling. A rustle of paper sounded like a hurricane through a palm tree. By the end of the movie my ears were whistling and hissing with tinnitus.
We spoke to an usher who agreed it was probably too loud, but claimed there was nothing they could do. The volume was ’set by the distributor‘. It seemed like an unlikely explanation.
Harmful to hearing?
I know parents of young children who will only take their kids to movies wearing ear defenders. They are complaining that their ears hurt after seeing Despicable Me.
This can’t be right. Hearing loss is already a problem among younger adults, thanks to long exposure to overamplified music in pubs and clubs. Now it seems we want to deafen our children when they visit the cinema.
The orchestras I stand in front of have taken strong measures to protect their players; some wear earplugs, others are protected by Perspex baffles.
I think it’s time for cinemas to show leadership in preventing hearing loss and turn down the volume.
If they don’t, I, for one, won’t go any more.
This is a guest post by Christopher Gillett. All views expressed here are Christopher’s own and not necessarily those also shared by Which?
Do you find the sound at the cinema too loud? Or do you think it’s just right and part of the experience?