Have you used a secondary ticketing website like Viagogo or Seatwave? Whether you’ve been reselling or buying tickets, are these sites working for you?
Our Play Fair on Ticket Fees campaign has had big wins in the primary ticketing market – last month seven companies agreed to show all compulsory fees upfront. It’s not before time. Fee transparency is a key and fundamental consumer principle. Indeed, it is the law under the Consumer Protection Regulations and a requirement of the Advertising Standards Authority too.
But what about the secondary ticketing market – now dominated by online operators like Viagogo, Seatwave and Getmein? Even Ebay and Gumtree are involved too. Shouldn’t the same transparency principle apply there?
Reselling gig tickets
The first question is: do you even know the difference between primary and secondary ticketing? In the old pre-internet days, secondary ticketing may have been called ticket touting, but now it seems to have gone a bit more legit. It’s become an online marketplace that puts people in touch with each other to get tickets for, well, frankly anything.
The BBC reported last month that some entertainment lovers were paying over £2,000 for two tickets (with a £20-£35 face value) to see the Donmar Warehouse’s Corialanus. That included an incredible £255 booking fee, a £9.95 shipping charge and £51 VAT.
We’ve debated secondary ticketing before on Which? Convo, and the response was as you’d expect: people have mixed views and experiences.
Perhaps this isn’t surprising as some people are winners from selling any spare tickets at much higher prices than they paid. But others are losers as they buy tickets they could’ve bought from the primary agent at face value, or are sold tickets with restricted view at an inflated price.
All Party Group on Ticket Abuse
Stepping into this murky world is the new All Party Group on Ticket Abuse, which has set up an inquiry. And later this month they want to hear from Which?.
Some MPs want to regulate the market, such as by setting a cap on how much extra a ticket can be re-sold for. Other MPs want big events to have the same ticket restrictions as the London 2012 Olympics to stop ticket touting. The Government meanwhile has made it pretty clear that it does not want to regulate the secondary ticketing market, and instead sees the solution to any problems lying with the industry itself.
So, what do you think? Have you used a secondary ticket website? What was your experience? Did you get what you paid for? Do you think the market should be regulated and, if so, how?